Unlock The Gates
Curated by Dena Yago

Ellie de Verdier, Oto Gillen, Kayla Guthrie, Behrang Karimi
June 22 - July 27, 2014
installation view, Unlock The Gates, JTT, New York

Keep your mind in hell, and despair not.
Staretz Silouan, 1866-1938

Silouan’s hell is the known and experienced hell of the physical and social world, the communicable hell that tells of suffer- ing. Speaking of hell is imbibing one’s vocabulary with the terms of the widest cast net – extrapolating from one’s personal hell, a word, extruding a shared experience. Silouan’s despair is the unhappiness of those that refuse this hell, thus refus- ing to face the root of one’s suffering, and who live, therefore, in the most static despair.

We must prefer real hell to an imaginary paradise.
Simone Weil, Gravity & Grace

Heaven on earth is a solitary experience, in that when relating your moment of heaven, you are relating an experience in which only you can be included, like stating “I am in total heaven right now.” This implies that you are in heaven, and while the actors and landscapes are serving to construct this heaven, is it not a heaven (your heaven) that they will experience. While heaven (the word) may be used to describe an exterior heaven – a social reality, a lived communal experience, a reflection in a storefront window, a robin’s nest, a dance floor – more often it is used to describe an interior heaven, one of social disengagement, a spiritual world (the world where words speak inside of you). But the gates to hell are always open. Hell and the exterior heaven are a collective experience, and as hyperbolic terms used to address suffering, sentiment, love, etc. it allows for us to discuss our subjective, local, lived experiences under the torn cloak of language handed to us by religion.

Dena Yago, 22 June 2014

installation view, Unlock The Gates, JTT, New York
Behrang Karimi
Bedren, 2012
oil on canvas
75 x 55 in
190.5 x 139.5 cm
Oto Gillen
The Robin’s Nest, 2014
silver gelatin print, UV glass, wood, computer
27 x 33 x 4 in
68.5 x 84 x 10 cm
Ellie de Verdier / Dena Yago
Column of Black Salt, 2014
black salt, epson salt, galvanized steel
3.5 x 120 x 1 in each
9 x 305 x 2.5 cm each
installation view, Unlock The Gates, JTT, New York
Kayla Guthrie
Eyes Of A Statue, 2014
letterpress print, poem, and frame
unframed: 7 x 13.5 in, framed: 9 x 4.5 in
unframed: 18 x 34 cm, framed: 23 x 11.5 cm
Ben Morgan-Cleveland
Not Yet Titled, 2014
wood
95 x 71 x 5 in
241 x 180 x 13 cm
installation view, Unlock The Gates, JTT, New York
Ellie de Verdier
Untitled, 2014
digital c-print, galvanized steel
33 x 24 in
84 x 61 cm
Ellie de Verdier
Untitled, 2014
digital c-print, galvanized steel
33 x 24 in
84 x 61 cm
Ellie de Verdier
Untitled, 2014
digital c-print, galvanized steel
33 x 24 in
84 x 61 cm
Kayla Guthrie
Unlock The Gates, 2014
vinyl letters
dimensions variable