Anna-Sophie Berger

Places to fight and make up
mumok, Vienna, AT


October 22, 2016 - March 05, 2017
Parabolic Mirrors, 2016
concrete
dimensions variable

Anna-Sophie Berger (b. 1989, Vienna) is the first prizewinner of the Kapsch Contemporary Art Prize, which was instated jointly by the Kapsch Group and mumok in 2016 to promote young artists living mainly in Austria. The prize comes with 5,000 euros and a solo exhibition at mumok, including a publication. In addition a work by the prizewinning artist is purchased by the Kapsch Group for the mumok collection.

In her solo exhibition Places to fight and to make up the artist reflects on questions regarding communication. The exhibited works focus on the influence of modern mass media on our society’s capability to engage with dialogue and discourse as well as on our use and preservation of objects. For Berger objects have different capacities, which they display depending on the environment they are inserted to. The artist is concerned with the sociological component of the object – in particular with its specific handling. The object is not to be seen as a discrete entity but rather as a part of human life. This perspective allows the artist to explore the formal and functional properties of objects in transient environments. It enables her to make transformation visible, closely intertwined with the emotions and intentions of the perceiving subject.

The site-specific installation, made exclusively for mumok, features at its center a pair of concrete parabolic reflectors. These structures were taken from a common playground in the third communal district of Vienna and then transferred to the museum – an environment equally intended for public use though with completely different parameters. What is meant for the amusement of children also playfully promotes communication as a sensory experience. The installation is not deploring changes in our communication behavior, but rather acts as a reference to environments where discourse is possible. Depending on its location, the object gains a specific form of re-evaluation. The structures previously disregarded as dated playground objects covered in graffiti become a designated artwork in a museum only to return after the exhibition.

In conjunction with her exhibition Places to fight and to make up, Anna-Sophie Berger is creating an artist’s book entitled MANUAL, which is meant to be a component and an extension of the installation. With texts by Anna-Sophie Berger, Marianne Dobner and Tess Edmonson.

Curated by Marianne Dobner.

installation view, Places to fight and make up, mumok, Vienna
Drunk or Dead?, 2016
paper, pencil, wine bottle, olive oil, whiskey, balsamic vinegar, canned beans, apricot jam, marzipan figurine, concrete hand, iron weights, salt
13 x 90.5 x 47 in
33 x 230 x 120 cm
Drunk or Dead?, 2016
paper, pencil, wine bottle, olive oil, whiskey, balsamic vinegar, canned beans, apricot jam, marzipan figurine, concrete hand, iron weights, salt
13 x 90.5 x 47 in
33 x 230 x 120 cm
Spider's Drawings (necklace) and Spider's Drawings (handcuffs), 2016
sheet protector, graphite on paper
11.5 x 8 in each
29 x 21 cm each
installation view, Places to fight and make up, mumok, Vienna
choicest relic 2 and choicest relic 1, 2016
water on paper
from left: 56 x 56 in, 71.5 x 56 in
from left: 142.5 x 142.5 cm, 181 x 142.5 cm
Trivial Pursuit, 2013
fur felt, yarn, ribbon
16 in in diameter
40.5 cm in diameter
installation view, Places to fight and make up, mumok, Vienna
agony half-hourly (2), 2016
wood, steel, lacquer
10 x 87 x 20 in
25 x 220 x 50 cm
Atlas, 2016
13 stickers
4 x 6 in each
10 x 15 cm each