III: HeavyShield, Knowles, Cameron-Weir
Remai Modern, Saskatoon, CA

Elaine Cameron-Weir, Faith HeavyShield, Dorothy Knowles
August 31, 2018 - January 20, 2019
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon

III brings together artists of different generations connected to the Prairies: Faye HeavyShield, Dorothy Knowles and Elaine Cameron-Weir. Working in diverse media, including large-scale installation, painting and sculpture, they offer powerful reflections on the natural world and human experience.

HeavyShield presents a new installation, to be shown for the first time at Remai Modern. Continuing her exploration of the spiral form, and utilizing imagery of grasses photographed on her home territory, the work creates a radial topography, shifting the spatial order of the gallery. Knowles is represented through a selection of paintings from the 1960s - 1990s, moving through degrees of abstraction and focusing on density, memory and moments of transition. Cameron-Weir’s sculptural works—all shown for the first time in Canada—utilize organic and industrial components including neon, aromatic resins, sand, parachute silk and metal armatures. Their structures, shields and weights evoke traces of the body.

Through continuation, transformation and ephemerality, the artists in III express distinct relations to time—its expansion and collapse. Their works contain the reach of millennia and the fleeting spark of an instant. HeavyShield, Knowles and Cameron-Weir also draw attention to the body: how we stand and move, see and perceive, feel and adapt. They call for close viewing and physical awareness, while acknowledging the forces (both interior and exterior) that lie beyond our understanding or control.

installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon
Metaphor, 2016
stainless steel, lead, sand
108 x 78 x 27 in
274.5 x 198 x 68.5 cm
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon
Metaphor, 2016 (detail)
stainless steel, lead, sand
108 x 78 x 27 in
274.5 x 198 x 68.5 cm
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon
Threshold 3, 2016
stainless steel, laboratory hardware, clamshell pair, sterling silver, rearview mirrors, neon light, transformer, liquid candle, mica, frankincense
13.5 x 72 x 6.5 in
34 x 183 x 16 cm
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon
remote view inside of a. New discovery of small metallic placed inside mummified lodged interpretation as a function of body conduit (dish of) psyche' dissolved, 2017
lead, sand, heating mantles, transformers, pewter, stainless steel, nickel silver, and labdanum resin
6 x 74 x 15 in
15 x 188 x 38 cm
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon
a terrestrial sediment melted by hypervelocity impacts from outerspace, most fell on Bohemia, molten, forming strange shapes and solidifying bottle green like the eyes of a gorgon,, 2014
stainless steel, sterling silver, laboratory clamps, carved moldovite
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon
a terrestrial sediment melted by hypervelocity impacts from outerspace, most fell on Bohemia, molten, forming strange shapes and solidifying bottle green like the eyes of a gorgon,, 2014 (detail)
stainless steel, sterling silver, laboratory clamps, carved moldovite
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon
installation view, III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon