Dan Herschlein

The Architect
Curated by Natalie Bell
New Museum, New York, US


September 4, 2018 - January 6, 2019
installation view, The Architect, New Museum, New York

In his performances, figurative sculptures, and drawings, Dan Herschlein (b. 1989, Bayville, NY) stages psychological tableaux that evoke feelings of isolation, anxiety, and a fracturing of the self.

His often life-size sculptural and relief works are meticulously crafted using cast plaster as well as common carpentry and furniture-making materials such as wood, joint compound, and wax. The fragmented spaces he creates suggest the uncanny atmosphere of nightmares, merging markers of domesticity—sofas, tables, recliners, and windows—with human figures or wandering body parts to underscore how furniture, architecture, and bodies can all serve as vessels of memory and witnesses of loss.

Herschlein presents a new installation in the window of the New Museum’s 231 Bowery building. His project joins a new series of window installations that relaunches a program the New Museum originally mounted in the 1980s.

This project is curated by Natalie Bell, Associate Curator.

installation view, The Architect, New Museum, New York
installation view, The Architect, New Museum, New York
A House in the Solitude, 2018
wood, plaster, pigmented joint compound, milk paint, wax, graphite, stones
60 x 45 x 4 in
152.5 x 114.5 x 10 cm
installation view, The Architect, New Museum, New York
installation view, The Architect, New Museum, New York
The Architect, 2018
wood, plaster, pigmented joint compound, milk paint, wax, graphite, tools
66 x 144 x 66 in
167.5 x 366 x 167.5 cm
installation view, The Architect, New Museum, New York
So That the Poor Clay Might Not Be Lonely, 2018
wood, plaster, pigmented joint compound, milk paint, wax, graphite, hardware, fishing line
7 x 18 x 4 in
18 x 45.5 x 10 cm
Don't Open the Door Tonight, 2018
wood, plaster, pigmented joint compound, milk paint, wax
6 x 36 x 18 in
15 x 91.5 x 45.5 cm