Frieze London, Stand G15

Anna-Sophie Berger, Elaine Cameron-Weir, James Yaya Hough, Becky Kolsrud, Sam McKinniss, Borna Sammak, Diane Simpson, Sable Elyse Smith, Damon Zucconi
October 13 - 17, 2021
Installation view of JTT’s Frieze London booth.
installation view, Frieze London, Stand G15, London
Image displays a sculpture by Elaine Cameron-Weir titled Snake 11. The sculpture is thin and rectangular and is suspended by wire and a sandbag.
Elaine Cameron-Weir
Snake 11, 2020
copper, enamel, stainless steel, sandbag
168 x 16 x 60 in
427 x 41 x 152 cm
Detail of enamel snake skin
Elaine Cameron-Weir
Snake 11, 2020 (detail)
copper, enamel, stainless steel, sandbag
168 x 16 x 60 in
427 x 41 x 152 cm
Detail of enamel snake skin
Elaine Cameron-Weir
Snake 11, 2020 (detail)
copper, enamel, stainless steel, sandbag
168 x 16 x 60 in
427 x 41 x 152 cm
A painting by Sam McKinniss titled Missy Elliott. Missy Elliott sings dressed in large black bags.
Sam McKinniss
Missy Elliott, 2021
oil on canvas
72 x 48 x 2 in
183 x 122 x 5 cm
A painting by Becky Kolsrud titled Inscape (Single Figure). The painting is of a nude body turned to the side with a pair of lips and a nose on top and an eye. The top half of the background is light pink and the bottom half is black and orange. White ovular forms frame the canvas.
Becky Kolsrud
Inscape (Single Figure), 2021
oil on canvas
40 x 32 in
101.5 x 81.5 cm
Installation view of JTT's Frieze London booth.
installation view, Frieze London, Stand G15, London
Diane Simpson
Peplum IV, 2015
aluminum, galvanized steel, rivets, enamel
48 x 29 x 18 in
122 x 73.5 x 45.5 cm
Diane Simpson
Peplum IV, 2015 (detail)
aluminum, galvanized steel, rivets, enamel
48 x 29 x 18 in
122 x 73.5 x 45.5 cm
Image is of a traditional portrait of Monica Lewinksy.
Sam McKinniss
Monica Lewinsky, 2021
oil on canvas
16 x 12 in
40.5 x 30.5 cm
Image is of an iron box with no top attached to a steel chain.
Anna-Sophie Berger
left, 2018
steel, iron, and plastic
16 x 16 x 12 in
40 x 40 x 30 cm
Image is of an iron box filled with flat plastic eyeballs attached to a steel chain.
Anna-Sophie Berger
left, 2018
steel, iron, and plastic
16 x 16 x 12 in
40 x 40 x 30 cm
Installation view of JTT's Frieze London booth.
installation view, Frieze London, Stand G15, London
Image is of a painting of a pink skeleton taking a bath.
Becky Kolsrud
Bather, 2021
oil on canvas
56 x 44 in
142 x 112 cm
Image is of a drawing of prison buildings supported by hundreds of feet.
James Yaya Hough
Untitled, 2008-2016
paper, ink, pencil
8.5 x 11 in
21.5 x 28 cm
James Yaya Hough
Untitled, 2008-2016
paper, ink, pencil
5.5 x 17.5 in
14 x 44 cm
James Yaya Hough
Untitled, 2008-2016
paper, ink, pencil
8.5 x 11 in
21.5 x 28 cm
Installation view of JTT’s Frieze London booth.
installation view, Frieze London, Stand G15, London
Image displays an artwork by Damon Zucconi titled Debt. The piece is of an iPhone laying flat, plugged in with a text conversation open. The conversation reads: ‘Thnak you so muCh.’ ‘Seriously, thank yo sO muC h’ ‘Worsd cannOt describe how pleased I am.’ ‘Accetp my ejdEss gratitude,’ ‘ThaK you.’ ‘You arr so kindl’ ‘I oew yo noe.’ ‘I woe you on e.’
Damon Zucconi
Debt, 2017
web application, iPhone
Image displays a print by Sable Elyse Smith titled 8345 Nights. The painting is solid black except a small rectangular collage of a man’s silhouette overlaid on an image of the ocean.
Sable Elyse Smith
8345 Nights, 2020
digital c-print, suede, artist frame
48 x 40 in
122 x 101.5 cm
Image displays a print by Sable Elyse Smith titled 8441 Days. The painting is solid black except a rectangular collage of a couple’s silhouette overlaid on an image of the ocean placed on top of a landscape with a rainbow.
Sable Elyse Smith
8441 Days, 2020
digital c-print, suede, artist frame
48 x 40 in
122 x 101.5 cm