JTT | Frieze London

Frieze London, Stand G15

Anna-Sophie Berger, Elaine Cameron-Weir, James Yaya Hough, Becky Kolsrud, Sam McKinniss, Borna Sammak, Diane Simpson, Sable Elyse Smith, Damon Zucconi
October 13 - 17, 2021

Installation view of JTT’s Frieze London booth. — installation view, Frieze London, Stand G15, London

Image displays a sculpture by Elaine Cameron-Weir titled Snake 11. The sculpture is thin and rectangular and is suspended by wire and a sandbag. — Elaine Cameron-Weir
Snake 11, 2020
copper, enamel, stainless steel, sandbag
168 x 16 x 60 in
427 x 41 x 152 cm

Detail of enamel snake skin — Elaine Cameron-Weir
Snake 11, 2020 (detail)
copper, enamel, stainless steel, sandbag
168 x 16 x 60 in
427 x 41 x 152 cm

Detail of enamel snake skin — Elaine Cameron-Weir
Snake 11, 2020 (detail)
copper, enamel, stainless steel, sandbag
168 x 16 x 60 in
427 x 41 x 152 cm

A painting by Sam McKinniss titled Missy Elliott. Missy Elliott sings dressed in large black bags. — Sam McKinniss
Missy Elliott, 2021
oil on canvas
72 x 48 x 2 in
183 x 122 x 5 cm

A painting by Becky Kolsrud titled Inscape (Single Figure). The painting is of a nude body turned to the side with a pair of lips and a nose on top and an eye. The top half of the background is light pink and the bottom half is black and orange. White ovular forms frame the canvas. — Becky Kolsrud
Inscape (Single Figure), 2021
oil on canvas
40 x 32 in
101.5 x 81.5 cm

Installation view of JTT's Frieze London booth. — installation view, Frieze London, Stand G15, London

Diane Simpson
Peplum IV, 2015
aluminum, galvanized steel, rivets, enamel
48 x 29 x 18 in
122 x 73.5 x 45.5 cm

Diane Simpson
Peplum IV, 2015 (detail)
aluminum, galvanized steel, rivets, enamel
48 x 29 x 18 in
122 x 73.5 x 45.5 cm

Image is of a traditional portrait of Monica Lewinksy. — Sam McKinniss
Monica Lewinsky, 2021
oil on canvas
16 x 12 in
40.5 x 30.5 cm

Image is of an iron box with no top attached to a steel chain. — Anna-Sophie Berger
left, 2018
steel, iron, and plastic
16 x 16 x 12 in
40 x 40 x 30 cm

Image is of an iron box filled with flat plastic eyeballs attached to a steel chain. — Anna-Sophie Berger
left, 2018
steel, iron, and plastic
16 x 16 x 12 in
40 x 40 x 30 cm

Installation view of JTT's Frieze London booth. — installation view, Frieze London, Stand G15, London

Image is of a painting of a pink skeleton taking a bath. — Becky Kolsrud
Bather, 2021
oil on canvas
56 x 44 in
142 x 112 cm

Image is of a drawing of prison buildings supported by hundreds of feet. — James Yaya Hough
Untitled, 2008-2016
paper, ink, pencil
8.5 x 11 in
21.5 x 28 cm

James Yaya Hough
Untitled, 2008-2016
paper, ink, pencil
5.5 x 17.5 in
14 x 44 cm

James Yaya Hough
Untitled, 2008-2016
paper, ink, pencil
8.5 x 11 in
21.5 x 28 cm

Installation view of JTT’s Frieze London booth. — installation view, Frieze London, Stand G15, London

Image displays an artwork by Damon Zucconi titled Debt. The piece is of an iPhone laying flat, plugged in with a text conversation open. The conversation reads: ‘Thnak you so muCh.’ ‘Seriously, thank yo sO muC h’ ‘Worsd cannOt describe how pleased I am.’ ‘Accetp my ejdEss gratitude,’ ‘ThaK you.’ ‘You arr so kindl’ ‘I oew yo noe.’ ‘I woe you on e.’ — Damon Zucconi
Debt, 2017
web application, iPhone

Image displays a print by Sable Elyse Smith titled 8345 Nights. The painting is solid black except a small rectangular collage of a man’s silhouette overlaid on an image of the ocean. — Sable Elyse Smith
8345 Nights, 2020
digital c-print, suede, artist frame
48 x 40 in
122 x 101.5 cm

Image displays a print by Sable Elyse Smith titled 8441 Days. The painting is solid black except a rectangular collage of a couple’s silhouette overlaid on an image of the ocean placed on top of a landscape with a rainbow. — Sable Elyse Smith
8441 Days, 2020
digital c-print, suede, artist frame
48 x 40 in
122 x 101.5 cm