JTT | Biography

1985	Born, Red Deer, AB, CA Lives and works in New York, NY

EDUCATION

2010	MFA, Studio Art, New York University Steinhardt School
2007	BFA, Drawing Major, Alberta College of Art and Design

SOLO EXHIBITIONS

2022	Exploded View / Dressing for Windows, Hannah Hoffman, Los Angeles, CA Dressing for Windows (Exploded View) or ‘everywhere I go people know the part I’m playing’, SCAD Museum of Art, Savannah, GA. Organized by DJ Hellerman
2021	STAR CLUB REDEMPTION BOOTH, Henry Art Gallery, Seattle, WA. Organized by Nina Bozicnik
2019	strings that show the wind, JTT, New York, NY
2018	His Master’s Voice, JTT at Sadie Coles for CONDO, London, UK exhibit from a dripping personal collection, Dortmunder Kunstverein, Dortmund, DE. Curated by Oriane Durand (cat.) Outlooks: Elaine Cameron-Weir, Storm King Art Center, Mountainville, NY. Curated by Nora Lawrence
2017	wave form walks the earth, Hannah Hoffman, Los Angeles, CA viscera has questions about itself, New Museum, New York, NY. Curated by Natalie Bell
2016	Erotix, Andrea Rosen Gallery, New York, NY snake with sexual interest in own tail, Venus Over Los Angeles, Los Angeles, CA
2014	Medusa, Galerie Rodolphe Janssen, Brussels, BE Medusa, Bellwether Project, Medusa Cement Company Headquarters, Cleveland, OH. Organized by Rose Bouthillier venus anadyomene, Ramiken Crucible, New York, NY
2013	Elaine Cameron-Weir, Galerie Rodolphe Jannsen, Brussels, BE Elaine Cameron-Weir, White Flag Library, St. Louis, MO. Curated by Sam Korman
2012	Venus Over The Sun, Desaga, Cologne, DE Not known to be used by any form of life, Ramiken Crucible, New York, NY
2011	Sculptor Galaxy, Possible Projects, Philadelphia, PA without true bazaars, Ramiken Crucible, New York, NY

SELECT GROUP EXHIBITIONS

2023	In Their Element(s): Women Artists Across Media, Fairfield University Art Museum, Fairfield, CT. Curated by Phoebe Charpentier
2022	The Milk of Dreams, 59th International Art Exhibition, La Biennale di Venezia, Venice, IT. Curated by Cecilia Alemani
2021	New Time: Art and Feminisms in the 21st Century, BAMPFA, Berkeley, CA The Dreamers, 58th October Salon, Belgrade Biennale 2021, Belgrade, RS. Curated by Ilaria Marotta and Andrea Baccin Make-Shift-Future, Regen Projects, Los Angeles, CA. Curated by Elliott Hundley
2020	Crumple, Vin Vin, Vienna, AT. Curated by Emily Watlington Hooks and Claws, Galerie Gregor Staiger, Zürich, CH. Curated by Alexis Vaillant
2019	Since Last We Met, Simon Lee Gallery, New York, NY. Curated by Debra Singer Present Tense, Philadelphia Museum of Art, Philadelpia, PA A Detached Hand, Magenta Plains, New York, NY I campi magnetici, Gió Marconi, Milan, IT. Curated by Cecilia Alemani
2018	Hardcore Erotic Art, Ramiken Crucible, New York, NY III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon, SK, CA. Curated by Rose Bouthillier Arts Alumni, The Commons Gallery, New York University, New York, NY. Curated by Chrissie Iles In The Reading Room of Hell, A Plus A Gallery, Venice, IT. Curated by NOVEL
2017	Contingencies: Arte Povera and After, Luxembourg & Dayan, New York, NY. Curated by Jody Graf (cat.) Trip of the Tongue, Simon Lee Gallery, Hong Kong, CN. Curated by Piper Marshall Dirge, JTT, New York, NY Frieze Projects, Randall’s Island, New York, NY. Curated by Cecilia Alemani
2016	Le Grand Balcon, Montreal Bienniale, Musée d’art contemporain de Montréal, Montreal, QC, CA. Curated by Philippe Pirotte More Than Lovers, More Than Friends, Futura Center for Contemporary Art, Prague, CZ. Curated by Jo-ey Tang Pièces - Muebles, Patrick Seguin, Paris, FR. Curated by Bob Nickas Fellbach Trienniel of Small Scale Sculpture, Alte Kelter Fellbach, Fellbach, DE. Curated by Susanne Gaensheimer (cat.) Fétiche, Venus over Manhattan, New York, NY
2015	Two Steps Forward, 47 Canal, New York, NY Pet Semetary, Shoot the Lobster, New York, NY The boys the girls and the political, Lisson Gallery, London, UK. Curated by Hana Noorali and Lynton Talbot Relational Changes, Christine König Galerie, Vienna, AT. Curated by _Cointemporary
2014	...and the stage darkens (or his voice is a big whale), Laure Genillard, London, UK Flat Neighbors, Rachel Uffner, New York, NY. Curated by Ajay Kurian Mississippi, Galleria d’Arte Moderna e Contemporanea, Bergamo, IT. Organized by Sam Korman (cat. Another, Once Again, Many Times More, Martos Gallery, East Marion, NY. Curated by Bob Nickas ‘From whose ground heaven and hell compare’, Croy Nielsen, Berlin, DE. Curated by Ben Schumacher BLOOMINGTON: MALL OF AMERICA, NORTH SIDE OF FOOD COURT, ACROSS FROM BURGER KING & THE BANK OF PAYPHONES THAT DON’T TAKE INCOMING CALLS, Bortolami, New York, NY Objects of Desire, Philadelphia Museum of Art, Philadelphia, PA. Organized by Adelina Vlas
2013	Garage Show, JTT and Rachel Uffner, New York, NY LAT. 41° 7’ N., LONG. 72° 19’ W, Martos Gallery, East Marion, NY. Organized by Bob Nickas Haptic Translations, OHWOW, Los Angeles, CA. Curated by Christine Messineo Spectrum Suite, Nicelle Beauchene Gallery, New York, NY Introduction Procedure, Art Concept, Paris, FR Forming the Loss in Darkness, Praz-Delavallade, Paris, FR. Curated by Jo-ey Tang Turnkey of Forever After, Bed-Stuy Love Affair, Brooklyn, NY
2012	Out of the Blue, Bortolami Gallery, New York, NY Two Coffees, Two Brandies, Denniston Hill Residency, Woodridge, NY. Curated by Carlos Reyes WEIGHTS & MEASURES, Eleven Rivington, New York, NY Creature From the Blue Lagoon, Martos Gallery, Bridgehampton, NY. Organized by Bob NickasSTRAIGHT UP, Family Business, New York, NY III, Robin Cameron/Elaine Cameron-Weir/Rochelle Goldberg, Martos Gallery, New York, NY 1867 1881 1981, collaborative show by Ben Schumacher, Bodega, Philadelphia, PA Cave-in, Arcillas, Puerto Rico, US. Outdoor show organized by Ramiken Crucible (cat.)
2011	The 2011 Bridgehampton Biennial, Bridgehampton, NY. Curated by Bob Nickas (cat.) Perfectly Damaged, Derek Eller Gallery, New York, NY Correspondence, two person show with selected works of Hol Quentel, Kathleen Cullen Fine Arts, New York, NY
2010	Inaugural, Mouthful of Poison, Ramiken Crucible, New York, NY Black Mondays: Good Vision, Kathleen Cullen Fine Arts, New York, NYS(l)ummering on Madison Avenue, Notary Public, New York, NY. Curated by Jo-ey Tang MIN, Regina Rex, Brooklyn, NY. Curated by Eli Ping

SELECT BIBLIOGRAPHY

2023	Lloyd-Smith, Harriet. New London show 'Hardcore' probes the power dynamics of desire. Wallpaper. May 25.
2022	Guilford, Lauren. PICK OF THE WEEK: Elaine Cameron-Weir, Artillery. December 15. Graf, Jody and Elaine Cameron-Weir. Spotlight: Elaine Cameron-Weir, A Conversation with Jody Graf, CURA. Fall - Winter.
2020	Korman, Sam. Elaine Cameron-Weir, Canadian Art. Winter.
2019	Chamberlain, Colby. Elaine Cameron-Weir, Artforum. December. Karp-Evans, Elizabeth. Elaine Cameron-Weir Tells Stories With Sculpture, Cultured. November 26. Schwendener, Martha. New York Galleries: What to See Right Now, The New York Times. October 11. Watlington, Emily. Elaine Cameron-Weir on Halves, Pairs, and Symmetry, Art in America. October 4. Di Liscia, Valentina. Elaine Cameron-Weir: strings that show the wind, The Brooklyn Rail. October 2. Creahan, Daniel. New York – Elaine Cameron-Weir: “strings that show the wind” at JTT Through October 27th, 2019, Art Observed. September 17. Moffitt, Evan. The Must-See Exhibitions in New York This Autumn, Frieze. September 13.
2018	Zeiba, Drew. Artist brings a bomb shelter to New York’s Storm King Art Center, The Architect’s Newspaper. October 12. Johnson, Grant. Interviews: Elaine Cameron-Weir, Artforum. July 31. Scheper, Moritz. Elaine Cameron-Weir’s Exquisite Torture, Frieze. July 20. De Luca, Zoe. Elaine Cameron-Weir, futuristic alchemist, domus. July 3.
2017	Berardini, Andrew. Elaine Cameron-Weir’s “wave form walks the earth,” Art Agenda. November 1. Wagley, Catherine. 5 Free Art Shows to See in L.A. This Week, LA Weekly. October 11. Ollman, Leah. Elaine Cameron-Weir at Hannah Hoffman: Unsettling Beauty, Los Angeles Times. October 7. Schwendener, Martha. What to See in New York Art Galleries This Week, New York Times. August 17. Loeffler, Frances. Elaine Cameron-Weir, Cura. August. Phillips-Amos, Georgia. The Defiant Beauty of Elaine Cameron-Weir at the New Museum, Canadian Art. May 23. Thill, Vanessa. Elaine Cameron-Weir, Artforum. May. Baker, Harriet. Elaine Cameron-Weir’s sculptures: sense and sensibility, Financial Times. April 29.
2016	Neuendorf, Henri. 10 Emerging Artists to Keep on Your Radar, Artnet. November 21. Li, Jennifer S. Elaine Cameron-Weir, Art in America. June. Wagley, Catherine. Elaine Cameron-Weir: Snake with sexual interest in own tail, LA Weekly. April 15. Knight, Christopher. Lead jackets, copper snakeskins: The sculptural inventions of Elaine Cameron-Weir, Los Angeles Times. March 30. Berardini, Andrew. Elaine Cameron-Weir, Artforum. March.
2015	Elaine Cameron-Weir: In Conversation with Alex Bacon, SFAQ. June 8.
2014	Interview with Elaine Cameron-Weir l Mississipi, Gamec, ATP Diary. December 12. Tang, Jo-ey. Elaine Cameron-Weir, Artforum. October 25. Leaver-Yap, Isla. Elaine Cameron-Weir: Metabolic décor, Mousse. May 7.
2012	Schwarting, Jen. Not Known To Be Used By Any Form Of Life, Brooklyn Rail. May 3. Demby, Nicole. Feminine Airs and Awkward Remainders: Alexandra Bircken, Anicka Yi, and Elaine Cameron-Weir, Bomb Magazine. January 2.
2011	Bell, Natalie. Elaine Cameron-Weir, ART PAPERS. September. Rhodes, Richard. Chopped & Screwed: Remix Redux, Canadian Art. August 4. Newhall, Edith. Small and Fine, The Philadelphia Inquirer. July 10. Smith, Roberta. Sculpture in High Relief, The New York Times. May 19. Heinrich, Will. A Postscript for Holt Quentel: ‘Correspondence’ at Kathleen Cullen Fine Arts, New York Observer. April 25.
2010	Wadler, Ben. Language and Object-hood, MIN. at Regina Rex. Artcards. June. Boothe, Kevin. Examining Truth in Materiality: An Interview with Elaine Cameron-Weir, Document Magazine. June.

PUBLIC COLLECTIONS

	Art Gallery of Ontario, Toronto, ON, CA
	The Hammer Museum, Los Angeles, CA
	Philadelphia Museum of Art, Philadelphia, PA
	Remai Modern, Saskatoon, SK, CA
	The Walker Art Center, Minneapolis, MN